![]() ![]() We have a lot more planned for 2023, and we're excited that a Pro tier opens up the possibility of adding some of the recurring feature requests that we’ve been wanting to build for a long time, but didn’t have a good place in the regular EditReady.Īs with Hedge Pro, upgrading an existing EditReady license is easy and affordable. High-speed proxies, made quickly and easily. It supports playback and transcoding of Phantom files to ProRes or DNxHD with the push of a button. We're shipping EditReady Pro 22.4 today with support for Phantom CineRAW. The brand-new EditReady Pro will focus on niche camera support and using EditReady as part of multi-app workflows. We've also added RED anamorphic support, improved the stability and speed of ARRIRAW playback and transcodes, and added 100p to the retiming tool. If you get footage from a DSLR or mirrorless stills cam that doesn't write timecode, you can now fake a time of day timecode track by using the file’s creation date. To this end, we focused our last release of the year on quality-of-life improvements.ĮditReady 22.4 adds the often-requested option to map file creation dates to timecode metadata. This is why we've decided to make three versions of EditReady, each tailor-made for different needs.ĮditReady will continue to be the world’s fastest, easiest-to-use transcoder for video pros. We want to be able to focus on both ease of use, speed, and help our pro users with complex workflow needs. Adding those features to EditReady would only add complexity and cost for those not needing it. Many of those upcoming features however, are for the 20%. ![]() Per the Hedge philosophy, features should always cater to 80% of its user base. As we looked at our roadmap for the coming year, it became clear that many of the remaining feature requests are starting to create a bit of tension - while making a lot of sense, they are only useful to a subset of the EditReady customer base. Heaps of features and improvements were added that were useful to about anyone, plus all those RAW formats this year. Over the last decade, we’ve done a lot to make EditReady the go-to transcoder for video professionals. You seem to notice our renewed efforts, as we’ve seen an inpouring of feedback since 🙏 Through it all, we've made sure to keep the simple interface and blazing-fast speed you've come to expect from EditReady. Since the EditReady team joined Hedge just over a year ago, we’ve added lots of new RAW formats - RED, ARRI, CanonRAW, Sony X-OCN, and ProRes RAW.Īt the same time, we've added Color Awareness - our log color science engine that makes working with RAW just as easy as any other format. Some MXF files previously transcoded with EditReady wouldn't load properly in EditReadyįix for an issue that truncated the last frame of some MXF files (thanks, David!)Īs the year ends, we're excited to ship our fourth major update to EditReady. Therefore, in this case, it is easier to choose a program that fully satisfies the parameters of your device.Recreate the source folder hierarchy on the destinationįaster transcoding when also scaling, on Apple Silicon (Thanks, Michael!)įix for a potential crash transcoding R3D footage on Intel Macs (Thanks, Dorian!)įix for playing back rewrapped HEVC files in FCPįixes a crash when opening new BRAW media with accelerometer metadata (Thanks, Akio!) If you try to put it on what is, nothing will work, or you will have to regularly encounter errors and incorrect work. Photoshop is very demanding on the technical characteristics of the device. The program can not be installed on any stationary computer or laptop. Even when you only render one layer, there are likely to be delays in the task completion process. When working with massive files, Photoshop can slow down a bit. ![]() In some cases, additional paid courses or master classes may be required. ![]() If you are considering purchasing this program, please note that in order to quickly acquire the skills you need, you will have to study for 3-4 hours a day. Mastering Photoshop is not easy, especially for beginners who have never dealt with similar software before. If you take the whole package of Creative Cloud ($52.99 per month, with a discount of $29.99 per month), but use only a few products from it, it will be completely unjustified. Buying even just Photoshop is not affordable for everyone (you need to pay monthly at $ 20.99). Many digital artists and graphic designers face a serious problem when buying this program. What does not suit users in it so much that it encourages them to look for a replacement? Everyone has their own reasons for this, but there are a few main ones: Nevertheless, the search for an alternative to this program is not uncommon. Photoshop is still considered the "gold standard" among graphic art software to this day. ![]()
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